https://lucyartresidency.com/welcome daily 1.0 2023-09-04 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/fc1e8035-c06b-4652-9af3-0093a7625eb1/Frame-04-09-2023-12-28-23.jpg Introduction - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1486928012259-KXEPBD3RGADOCFEQ8IL7/image-asset.jpeg Introduction https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1486928151099-1E8TGMDQZVXT3NAMW4AO/Lucy_4.jpg Introduction https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645746743240-3QC8F4VH0KF28C7TNQ2W/IMG_3952.jpg Introduction https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645747147269-GYSOMN85J6B14R3WII1O/Background_Grain.jpg Introduction https://lucyartresidency.com/the-talks daily 0.75 2017-06-14 https://lucyartresidency.com/the-talks/2017/6/17/the-lucy-art-residency-talks monthly 0.5 2017-06-14 https://lucyartresidency.com/2018-jury daily 0.75 2018-08-31 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1512396915133-PD8F1CEIOTS3JER8NMIV/Ventourakis.jpg The 2018 Jury Nikolas Ventourakis is an artist living and working between Athens and London and is the first artistic director of the Lucy Art Residency. He is a non-voting member of the Jury. His practice situates in the threshold between art and document, in an attempt to interrogate the status of the photographic image. Ventourakis completed an MA in Fine Art (Photography) with Merit at Central Saint Martins School of Arts (2013) and is the recipient of the Deutsche Bank Award in Photography (2013). He was selected for Future Map (2013), Catlin Guide (2014) and Fresh Faced Wild Eyed (2014) in the Photographers Gallery as one of the top graduating artists in the UK. In 2015 he was a visiting artist at CalArts with a FULBRIGHT Artist Fellowship and a fellow in New Museum’s IdeasCity.. He was shortlisted for the MAC International and the Bar-Tur Award. Recently he has exhibited in FORMAT Festival, Derby; the NRW Forum, Düsseldorf, the Mediterranean Biennale of Young Artists 18 and the parallel program of the Istanbul Biennale.   https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1512395840557-34BKMVNVUKMTD04NRO08/Bertrand.jpg The 2018 Jury Ann-Christin Bertrand is curator at C/O Berlin responsible for young, contemporary art positions as well as for questions about the future of the medium. She has curated several exhibitions together with emerging artists including Peter Puklus, Viktoria Binschtok, Adam Jeppesen, Broomberg & Chanarin and Torbjørn Rødland. She also has curated several group exhibitions, including WATCHED! Surveillance Art & Photography (featuring artists as Hito Steyerl, James Bridle, Meric Algün Ringborg, Ann-Sofi Sidèn or Trevor Paglen, amongst others) and Optical Illusions – Contemporary Still Life Photography (featuring Lucas Blalock, Antje Peters, Oskar Schmidt and Annette Kelm). She is regularly lecturing at Universities such as Aalto University of Arts & Design Helsinki, the Academy of Media Arts Cologne, as well as Design Akademie Berlin and also is a guest lecturer in the Photography Master Program at ECAL Lausanne, Switzerland. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1512395882037-5IETJQLPYJO4R37FD7O7/Willumeit.jpg The 2018 Jury Lars Willumeit is a German social anthropologist based in Zurich, Switzerland. As an independent curator, author/critic, art educator and photo editor, he has been working with the medium of photography in different modes since 1993. His interests lie in photography, documentarisms, regimes of representation, and visual cultures. Since 2013 he has curated exhibitions in numerous contexts and contributed texts to, for example, the book Deposit by Yann Mingard, as well as a dictionary entitled Factory Tools, which was published within Fabrik, the catalogue of the German Pavilion (curated by Florian Ebner) at the 2015 Venice Biennale. Willumeit received his Master of Arts degree in Curatorial Studies, from the Zurich University of the Arts (ZHdK) and holds a Bachelor of Science in Social Anthropology from the London School of Economics and Political Science (LSE). https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1512396417068-INSV9R5MA7K9P8GHXHHF/Couzinet.jpg The 2018 Jury Sylvain Couzinet-Jacques is a visual artist working mainly in the photographic field, based in Paris. He has been developing for several years a reflection halfway between documentary photography and the visual arts around the concept of re-enchantment. From the real estate crisis in Spain, to the figure of the Black Block rioters to the Eden project, his reflections trajectory around a world in crisis and whose representation seems to be in crisis as well. The global stakes of the immaterial circulation of data, private property and collective appropriation are the basis of an exploration by the image that takes care of the stigmata of its time. His work has been exhibited in Le Bal in Paris, Aperture Foundation in New York or at the Fotofestival of Mannheim (curated by Urs Stahel) among others. He received the inaugural Immersion commission given by the Fondation d’entreprise Hermès in 2015, and he is an artist member of the French Academy Casa de Velàzquez in Madrid for the year 2017-2018. Sylvain was awarded the first Lucy Art Residency in 2017 and has been invited to be part of the selection panel for the next edition. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1512395855339-ZO75C03PDEKXDH0OE17X/Fano.jpg The 2018 Jury Niccolò Fano (Rome,1985) holds a BA in Photography at the University for the Creative Arts, a Masters degree in Fine Art from Central Saint Martins and an awarded Creative Ventures MBA at London Business School. He has taught at Sotheby’s Institute of Art in London and the UCA in Farnham. Niccolò currently lives Rome where he is the founder and director of Matèria. Based in the neighbourhood of San Lorenzo, the gallery specialises in contemporary photographic practice and visual culture. Matèria furthers and supports the work of emerging and established artists through a curatorial programme of exhibitions and events that engage with photography’s ever-evolving contemporary dialects and contaminations. In Rome, Niccolò collaborates as visiting lecturer with Officine Fotografiche, Scuola Romana di Fotografia and ISFCI. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1512395869322-5EBDICCHSCTFIUR1SVX9/Tseliou.jpg The 2018 Jury Eleftheria Tseliou is an Athens based art historian and gallerist. After the completion of her studies, Eleftheria continued living and working in New York for the Impressionist and Modern art gallery Moeller Fine Art, where she developed an interest for art dealership and the secondary market. Upon her return to Greece, she curated a number of shows featuring works of both Greek and International artists. In 2013 Eleftheria Tseliou Gallery was established. Today the gallery, which focuses on contemporary art, organizes nine shows per year and represents the work of more than twenty artists. Apart from the gallery artists’ solo shows and the curatorial exhibitions, the gallery has also been presenting once a year a dual show where each time two different gallery artists are asked to develop and work together on an original idea as well as a show interested in memory, researching each time the work and the legacy of a different, prominent yet no longer living Greek artist.. https://lucyartresidency.com/application daily 0.75 2019-10-07 https://lucyartresidency.com/2017-air daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1495113223901-CORQ48V1VOOQQ9MWE3D9/image-asset.jpeg 2017 AiR ©Sylvain Couzinet-Jacques https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1495113261505-SMQMTREHH0V2BJ2W5VCL/image-asset.jpeg 2017 AiR Sylvain Couzinet-Jacques (b.1983) is a graduate of the École Supérieure des Beaux-Arts de Marseille (2010) and the École Nationale Supérieure de la Photographie in Arles (2012). Sylvain Couzinet-Jacques has been developing for several years a reflection halfway between documentary photography and the visual arts around the concept of re-enchantment. The global stakes of the immaterial circulation of data, private property and collective appropriation are the basis of an exploration by the image that takes care of the stigmata of its time. His work has been featured at Le BAL in Paris, Fotofestival Mannheim and more recently at Aperture in New-York. In 2015, he received the inaugural Immersion commission given by the Fondation d’entreprise Hermès. His first book, Eden, made in collaboration with Fred Cave, has been published by Aperture in November 2016. https://lucyartresidency.com/the-lucy-art-residency-talks daily 0.75 2017-06-14 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1497437032848-Q25SIXDF7ST93LQUMNF1/Lucy_Art_Residency_Open_Talks_Greek.jpg The Lucy Art Residency Talks https://lucyartresidency.com/2017-jury daily 0.75 2017-11-16 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1490794826349-AIOZ9V05R6C2F5INBQO8/Arsen.jpg The 2017 Jury Arsen Kalfayan is co-founder, together with his brother, of Kalfayan Galleries located in Thessaloniki (established 1995) and Athens (2000). For many years, he served on the Board of Trustees of the State Museum of Contemporary Art in Thessaloniki. Furthermore, Arsen has been dynamically involved in the art world for more than two decades in the role of art advisor. Kalfayan Galleries is one of the major Greek galleries with a strong international profile. With a particular focus on Greece, the Balkans and the MENASA region, the gallery's roster reflects the unique character of acting as a bridge between Eastern and Western visual culture. The gallery has established a strong international profile globally through a broad spectrum of projects, participations in art fairs and collaborations with galleries, museums, art institutions, curators and artists. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1490111108921-LFMP8ND0MUCFRGQEDHLJ/image-asset.jpeg The 2017 Jury Shoair Mavlian is a curator at Tate Modern, London, focusing primarily on photography. Shoair researches acquisitions for the international collection whilst curating exhibitions and displays across Tate Modern. She curated the major exhibition The Radical Eye: Modernist Photography from the Sir Elton John Collection (Tate Modern, 2016), Conflict, Time, Photography (Tate Modern, 2014) and the collaborative exhibition Project Space: A Chronicle of Interventions (Tate Modern and TEOR/éTica, Costa Rica, 2014). Shoair has a background in fine art photography practice and the history of photography focusing on the twentieth century. She has a strong interest in photography relating to conflict and memory, Central and Latin American photography and emerging contemporary practice. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1490794882354-0JUBTI0QP9IYKHBOPL09/Sara-Dolfi-Agostini.jpg The 2017 Jury Sara Dolfi Agostini is a curator and a writer specialized in contemporary art and photography. She is an advisory member of the photography board of Triennale Museum in Milan (2017) and from 2014 to 2016 she was the co-curator of the public art project ArtLine Milano. She is a contributor of Sole 24 Ore (from 2008) and Klat Magazine (from 2013), co-writer of Collezionare Fotografia (Contrasto, 2010/14) and has published texts for Skira, Rorhof, Yard Press and Danilo Montanari Editore. Besides writing and curating, she is professor of contemporary photography at the Fondazione Fotografia Modena (2016), IAAD in Turin (2017). https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1490111095563-R4M4VRT2ILV432V95AC6/image-asset.jpeg The 2017 Jury Kim Knoppers is an art historian and a curator at Foam, photography museum in Amsterdam. In this role she has worked on several exhibitions together with emerging artists including Raphaël Dallaporta, Taiyo Onorato & Nico Krebs, Anne de Vries, Jan Hoek, Lorenzo Vitturi, Jan Rosseel and Melanie Bonajo. She also curated group exhibitions and exhibitions of established photographers like Re-Search, Collaborate: On Artists’Collectives, Bertien van Manen, Adam Broomberg & Oliver Chanarin and Geert Goiris. She is interested in a wide range of photography: from documentary photography to artists working with documentary strategies, and from archival material to photography as a research tool. She is also interested in artists’collectives and DIY strategies. Kim writes on a regular base for Foam Magazine and Unseen Magazine. https://lucyartresidency.com/faq-2 daily 0.75 2021-04-01 https://lucyartresidency.com/2018-air daily 0.75 2018-08-31 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521398294408-Q2RKF19C1H9YBF05BD19/Martin-Errichiello.jpg 2018 AiR Martin Errichiello is an artist using photography and film, born in Napoli in 1987. Since 2008, he promoted independent editorial projects, worked with film and multimedia studios in the audiovisual production and collaborated with anthropologists, musicians and artists on different projects, researches and exhibitions. In 2010 he graduates in photography and visual communication at the CFP Bauer of Milan with an internship with the artist Raffaela Mariniello. In 2012 he was selected for the Visual Storytelling course at the Danish School of Media (attending lectures by Antoine d’Agata, Kent Klich, Nina Korhonen) where he founded the international crossmedia network of visual artists "Panaut Collective" and realized the awards-winning documentary "Archipelagoes". He’s now based in Napoli, where he keeps working on a mixed media long-term research about South Italy’s identity. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521398339020-NSILFYEOHWAQH83I2CZG/Filippo-Menichetti.jpg 2018 AiR Filippo Menichetti was born in Florence in 1986. In 2009, after graduating in Psychology at La Sapienza of Rome he decided to entirely embrace photography. After a year traveling between the United States, Europe and Asia he attended a master’s degree in photojournalism and reportage to the Scuola Romana di Fotografia in Rome. There he approached large format photography with a project on the urban landscape (Ostia, 2010) directing his gaze to the interactions between man and his environment. He has collaborated with documentary photographer Giuseppe Moccia to the realization of "A Third Landscape?" a research on the abandonment of ski’s infrastructure in northern Italy. In 2012 he founded the collective PanAut with other authors of the Danish School of Media and Journalism where he graduated with "What Remains - meditations on a landscape", produced on the West Coast of Denmark. In late 2013 he moved to Naples (IT), where he lives and works. https://lucyartresidency.com/residency-2019 daily 0.75 2020-02-14 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1575885884996-RNAM3ZMAJZ3YPZEFQV89/Lucy+2019+Open+Call.jpg Residency 2020 https://lucyartresidency.com/2020-jury daily 0.75 2022-05-14 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1575884202937-M0A0B8U2IP19I4WGFA4N/Milo_Keller.jpg The 2020 Jury Milo Keller (born 1979, Lugano, Switzerland), photographer and professor, is known for his photography works in the field of architecture and design. His personal projects have been exhibited at venues such as; the Musée de l’Elysée in Lausanne, The Aperture Gallery in New York and the Museum für Gestaltung in Zürich. Aside from his professional career as a photographer he has been teaching at ECAL/University of Art and Design Lausanne since 2007 where he became Head of BA Photography in 2012 and launched the Master Photography in 2016. With the new Master's degree, Keller launches and directs the Augmented Photography research program (augmented-photography.ch) questioning the influence of new technologies in the materialization and dematerialization of the photographic image. Since 2012 he has curated for ECAL numerous exhibitions and publications in Switzerland and internationally while offering conferences on his pedagogical and research activities. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1575884160303-D8BM3JGYIQLRXSD27X39/Ioli_Tzanetakii.jpg The 2020 Jury Ioli Tzanetaki is an independent curator, interdisciplinary researcher and writer born in Athens and currently living in Berlin. She holds an MA in Art & Politics from Goldsmiths, University of London. Her work focuses on the relationship between art, politics, and social issues more specifically looking at issues of democracy, political economy, human rights and the socio-political impact of art labour. From 2016 to 2018, she was assistant curator of the 1st Riga Biennial, Everything Was Forever, Until It Was No More, Riga. In 2019, she was assistant curator of the Croatian Pavilion at the 58th Venice Biennale and Klosterruine, a communal gallery in Berlin focusing on site-specific contemporary art projects. Since 2017, she has been assistant curator of the exhibitions organised by the Munich-based Schwarz Foundation and curated by Katerina Gregos, including: 13,700,000 km3 at Art Space Pythagorion and Anatomy of Political Melancholy, Athens Conservatoire & Art Space Pythagorion. She co-founded the project WeHybrids which consists of a series of collaborative workshops, taking place in various UK cities (2016-present). From 2015 to 2016, she was director's assistant at Siegfried Contemporary, London. She has edited and written for various art publications and is a co-editor at MAGMA a printed and online journal exploring the relationship between art and politics. Portrait © Kristine Madjare https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1575884219535-SJLX6OG1GIZ8KFPB1O27/Mariama_Attah.jpg The 2020 Jury Mariama Attah is a photography curator and editor, with a particular interest in the power of photography to re-present visual culture. Mariama is currently Assistant Editor for Foam Magazine. Previously she was Programme Curator at Photoworks and was responsible for developing and programming exhibitions and events, including Brighton Photo Biennial and the Jerwood/Photoworks Awards. She was also commissioning and managing editor of Photoworks Annual, published yearly. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1575884178968-K2P1IBOCZF96ICRGKFCC/Kevser_Guler.jpg The 2020 Jury Kevser Güler is a curator based in Istanbul. She was a member of the Istanbul Biennial team between 2007 and 2014. Kevser been conducting researches on Arter collection since 2014 while pursuing her curatorial practice. Recent projects she took part in include Rocks and Winds, Germs and Words, Kerem Ozan Bayraktar Solo Exhibition, Sanatorium, Istanbul, 2019; Magnet and the Moon, Nilbar Güreş Solo Exhibition, Galerist, Istanbul, 2019; Potato Growers, Books and Research with Wapke Feenstra, Istanbul, Nevsehir and Rotterdam, 2019; flesh and bone, first exhibition, Operation Room, Istanbul, 2019; The Future of Ecology, Corridor Project Space, Amsterdam, 2018; Colony, Kaos GL 2nd Contemporary Art Exhibition, Istanbul, 2017; Ways Out From the World, Cappadox, Nevsehir, 2017; Let Us Cultivate Our Garden, Cappadox, Nevşehir, 2016; Living/Matter: In and through, Proto5533, Istanbul, 2016. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1543231637776-K2PFVYR9CNIBV5I4I83E/Nikolas.jpg The 2020 Jury Nikolas Ventourakis is an artist living and working between Athens and London and is the first artistic director of the Lucy Art Residency. He is a non-voting member of the Jury. His practice situates in the threshold between art and document, in an attempt to interrogate the status of the photographic image. Ventourakis completed an MA in Fine Art (Photography) with Merit at Central Saint Martins School of Arts (2013) and is the recipient of the Deutsche Bank Award in Photography (2013). He was selected for Future Map (2013), Catlin Guide (2014) and Fresh Faced Wild Eyed (2014) in the Photographers Gallery as one of the top graduating artists in the UK. In 2015 he was a visiting artist at CalArts with a FULBRIGHT Artist Fellowship and is a fellow in New Museum’s IDEAS CITY. He was shortlisted for the MAC International and the Bar-Tur Award. Recently he has exhibited in FORMAT Festival, Derby; the NRW Forum, Düsseldorf, the Mediterranean Biennale of Young Artists 18, the parallel program of the Istanbul Biennale , Hors Pistes 14 at Centre Pompidou, and The Same River Twice, at the Benaki Museum. He is the co-curator of the project “A Hollow Place” in Athens. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1575884139426-BUDKRQG8088Z91SFCISP/Stasinopoulos.jpg The 2020 Jury Kostas Stasinopoulos is a curator, art historian and Assistant Curator, Live Programmes at Serpentine Galleries, London, working across the institution’s interdisciplinary programme and the General Ecology project. Kostas received his PhD in History of Art from University of York (2016) fully funded by the Arts and Humanities Research Council (AHRC), the Onassis Foundation, NEON Foundation and the Department of History of Art at University of York. He obtained his MA degree in History of Art at the Courtauld Institute of Art in 2011, holds an MA in Cultural and Creative Industries from King's College London, 2008 and graduated with a BSc in Biochemistry with Management from Imperial College London, 2004. He has collaborated with the Whitechapel Gallery, Frieze and White Cube in London and the Athens Biennale in Greece. Previous exhibitions and projects includeThe Marathon Marathon Project (with Hans Ulrich Obrist and Nadja Argyropoulou, 2010), AWARE: Mona Hatoum, Adela Jušić, Silvia Kolbowski and Paky Vlassopoulou (Syros International Film Festival, 2014), Maria Lassnig: The Future is Invented with Fragments from the Past (with Hans Ulrich Obrist, Peter Pakesch and Denys Zacharopoulos, 2016-17) and The Athens Dialogues (with Hans Ulrich Obrist, Karen Marta and DESTE Foundation, 2017). Kostas is also currently a researcher at the Centre of New Media & Feminist Public Practices at the University of Thessaly. https://lucyartresidency.com/workshop-2018 daily 0.75 2018-11-26 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521400289611-1TYX0SYZ3W82FY0YCICH/Void+2.jpg Workshop 2018 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521400593078-FVP04OWSUN0DMQVEW6YJ/Waves_2_Website.jpg Workshop 2018 The Team https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521712456456-VTTSBSIFU95BLXM20HTN/VOID-Lucy-4-copy.jpg Workshop 2018 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521400436752-W5I8JYTPGUCMTTGKWR4X/Waves_1_Website.jpg Workshop 2018 Application Procedure and Rules https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521400130811-B0IQOECFED39QIC67LD1/Klara+Ka%CC%88llstro%CC%88m+and+Thobias+Fa%CC%88ldt.jpg Workshop 2018 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1521400776323-BHAWGPXRXF7N4514SR84/Waves_3_Website.jpg Workshop 2018 Terms & Conditions https://lucyartresidency.com/workshop-2019 daily 0.75 2019-04-05 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554462318116-LU1Q2OSJPXCEAJNG14YI/almudena+romero.jpg Workshop 2019 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554462908928-V2UE1VJVYPSCC0NS7HDY/almudenaromero_lowres_banner.jpg Workshop 2019 About the Artist https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554462892186-L1TY4CFX0GII3WMT33C7/almudenaromero_lowres_BannerA.jpg Workshop 2019 Application Procedure and Rules https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554462918563-DWQ3QRLMX59APS46P1J0/almudenaromero_lowres_banner_C.jpg Workshop 2019 Terms & Conditions https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554462102304-LVYE6HDNJ91MT0EP3OYL/almudenaRomeroworkshop.jpg Workshop 2019 https://lucyartresidency.com/2019-air daily 0.75 2019-10-08 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554294586842-YA2CC5W7I7GEMF25M5RR/Portrait_SK_2500.jpg 2019 AiR https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554289557177-S1OVBH12QITKCIQNWXY6/Exploded_view_%23139_2019.jpg 2019 AiR https://lucyartresidency.com/the-lar-talks daily 0.75 2019-06-13 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1560412273698-4COE7B6U1T4Q2EH8CIO1/poster_web_use_lucy_aresidency-01.jpg The LAR Talks https://lucyartresidency.com/fall-residency-2019 daily 0.75 2019-10-08 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1570463803679-QT7ZUSW4LHKMCF6BJN0Q/AlmudenaRomero_GrowingConerns-%2817%29.jpg Research Residency 2019 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1570525362905-FDKEU0NGC68H5KEQDHOT/i-portunus-ce-logo.png Research Residency 2019 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1554462318116-LU1Q2OSJPXCEAJNG14YI/almudena+romero.jpg Research Residency 2019 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1570525878352-9C3QMVKJRM8LRVI37HZD/AlmudenaRomero_GrowingConerns+%2817%29.jpg Research Residency 2019 https://lucyartresidency.com/application-1 daily 0.75 2019-12-09 https://lucyartresidency.com/2019-jury daily 0.75 2022-05-14 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1543231501001-DWWEMLXUFWXK9KE8ZIGJ/Verena.jpg The 2019 Jury Verena Kaspar-Eisert has been curator at KUNST HAUS WIEN. Museum Hundertwasser since 2014. She studied art history in Vienna with a focus on contemporary fine arts andphotography. Her professional career began at Galerie Knoll and Galerie Krinzinger and she freelanced in numerous exhibition projects from 2003. 2005 to 2011 she was exhibition manager and curator at Kunstraum Niederoesterreich in Vienna. From 2011 to 2014 she was director of the Galerie OstLicht, in addition from 2012 to 2014 she was director of the Fotomuseum WestLicht, Vienna. She is an expert in portfolio reviews, lectures on photography and is a member of various juries. Recent exhibitions include “Elina Brotherus. It´s Not Me, It´s A Photograph”, cur. together with Bettina Leidl, and „Oliver Ressler. How To Occupy A Shipwreck“, Portrait : © Eva Kelety https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1543231465422-L10ZGZSSP4JBOJB3Z1DJ/George.jpg The 2019 Jury George Manginis is academic director of the Benaki Museum in Athens.He studied archaeology at the University of Athens and at SOAS / University of London, where he was awarded a PhD on the history of Mount Sinai. Since 2001 he has been teaching history of Byzantine art , Islamic art and Chinese art. He has participated in archaeological excavations in Greece, Cyprus and the Sinai. He has worked in the Hellenic Children’s Museum as collections manager and director of resource centre, in the Greek Orthodox Cathedral of Saint Sophia, London as archivist and curator, in the Archaeological Museum of Ioannina as exhibition text supervisor and in various United Kingdom museums as development consultant. In 2013 he was a Stanley J. Seeger Fellow at Princeton University. He has published scholarly articles on Cypriot prehistory, Islamic art and architecture, Sinai studies, Chinese ceramics, and the Greek and Armenian diasporas. In 2016 he published two books: Mount Sinai: A History of Travellers and Pilgrims and China Rediscovered: The Benaki Museum Collection of Chinese Ceramics. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1543231450046-9DN0NEIO9FWVLWPKM86J/Raphaelle.jpg The 2019 Jury Raphaëlle Stopin a graduate from the Sorbonne Paris (history of art), is a French curator and writer. For the past sixteen years, she has been curator in charge of the photographic section for the Hyères International Festival of Fashion and Photography where she aims to promote emerging photographers and in the frame of which she has exhibited the works of historical figures and names of the new scene Appointed Director for the Centre photographique in Rouen, Normandy in 2015, she builds there an exhibition programme which pays tribute to singular photographic signatures, telling an artistically committed story of our world. She has previously served as guest curator at The Photographers’ Gallery in London, UltraLounge Selfridges, the FNAC Photo Galleries, the Experimental Section of the Photomonth, Krakow, Poland. She regularly takes part in juries, portfolio reviews and lectures. She was appointed art director of the 2018 HSBC Photography prize. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1543231517168-VBJ1LJ0A846NO9CRK9G2/VOID.jpg The 2019 Jury VOID is a project fully dedicated to photography. Found in 2016, Void is an independent publisher, an alternative exhibition space in the heart of Athens. #Void is a non-profit organization, and its goal is to publish established and up-and-coming artists both from Greece and abroad, as well as invest funding on education projects in Greece. ( https://void.photo/ ) They co-run The aSynecdoche Kavala 1+1=3 Workshop together with artists Klara Källstrom and Thobias Fäldt for our 2018 program. Recent publications include: Except the Clouds / Beyond the Mirror / Oscurana / MEAT / The Splitting of the Chrysalis & the Slow Unfolding of the Wings / HUNGER . VOID are Sylvia Sachini, João Linneu and Myrto Steirou . https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1543231484383-PTWTO1UHI2ORHNDXM0F3/Nadine.jpg The 2019 Jury Nadine Wietlisbach is the director of Fotomuseum Winterthur since January 2018. She devises exhibitions, publications and other discursive formats in the fields of contemporary photography and art. From 2015 till 2017 she was the Director of Photoforum Pasquart Biel/Bienne, following her post as a curator at the Nidwaldner Museum in Stans, where she was responsible for all contemporary art exhibitions and publications, as well as presentations of the museum’s collection from 2012 till 2015. In 2015, she won the Swiss Art Award 2015 (critique, publication, exhibition section) and was curator in residence at the Museum of Contemporary Photography in Chicago. She also founded the independent art space Sic! Raum für Kunst in Lucerne in 2007. Besides her interest in the diversity of photographic media, she is particularly interested in the rapidly expanding nature of photographic technology and its discourse. Portrait : © Anne Morgenstern https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1543231637776-K2PFVYR9CNIBV5I4I83E/Nikolas.jpg The 2019 Jury Nikolas Ventourakis is an artist living and working between Athens and London and is the first artistic director of the Lucy Art Residency. He is a non-voting member of the Jury. His practice situates in the threshold between art and document, in an attempt to interrogate the status of the photographic image. Ventourakis completed an MA in Fine Art (Photography) with Merit at Central Saint Martins School of Arts (2013) and is the recipient of the Deutsche Bank Award in Photography (2013). He was selected for Future Map (2013), Catlin Guide (2014) and Fresh Faced Wild Eyed (2014) in the Photographers Gallery as one of the top graduating artists in the UK. In 2015 he was a visiting artist at CalArts with a FULBRIGHT Artist Fellowship and a fellow in New Museum’s IdeasCity.. He was shortlisted for the MAC International and the Bar-Tur Award. Recently he has exhibited in FORMAT Festival, Derby; the NRW Forum, Düsseldorf, the Mediterranean Biennale of Young Artists 18 and the parallel program of the Istanbul Biennale. https://lucyartresidency.com/the-runnerups daily 0.75 2022-05-14 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1601554185163-O727WBHKHVWSTORYXM7W/image.jpg The 2021 Runner-Ups Grzegorz Stefański, born in 1983 in Czluchow (PL), lives and works in London and Warsaw. Author of multi-channel installations, films, photographs and performances. His artistic practice is located at the nexus of psychology, choreography and film, primarily concerned with identity and the politics of embodiment. The themes he has investigated include post-patriarchal masculinity and vulnerability, micro-choreographies of violence and care, private history recorded in one's body and the legacy of European cinematography. In 2017 he won the Ivan Juritz Prize in London and the Grand Prix at the Biennale of Young Art in Poland. In 2020 he received Stuart Croft Foundation Award. He concluded his artistic education at The Slade School of Fine Art in London and Mirosław Bałka’s Studio of Spatial Activities in Warsaw. Before attending art school, he earned a master’s degree in philosophy, run music radio show and made his artistic debut in with solo exhibition during Cracow Photomonth Festival in 2010. His works have been exhibited and screened at the Louvre Museum (2019), HKW Berlin (2019), Whitechapel Gallery in London (2018), Museum of Modern Art in Warsaw (2018), Ujazdowski Castle Centre of Contemporary Art (2018), Manifesta 11 in Zurich (2016), Pastificio Cerere Foundation in Rome (2014) and the NY Art Book Fair at MoMA PS1 in New York (2010). He has collaborated, among others, with Nowy Teatr in Warsaw (2016), National Museum in Warsaw (2017), and Bunkier Sztuki Gallery of Contemporary Art in Cracow (2018). Image © Grzegorz Stefański https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1601554261671-Q2OFKW52K2CQLWFXXPQJ/Milo_Keller.jpg The 2021 Runner-Ups Mårten Lange (born 1984, Gothenburg, Sweden) is an artist working on a wide range of topics including nature, technology and the urban environment. He has published several books, including Citizen(Études Books, 2015), Another Language (MACK, 2012), The Mechanism (MACK 2017) and Chicxulub (self-published, 2016). Lange studied photography in Sweden, Japan and the United Kingdom. His work has been shown internationally, most recently at Foam in Amsterdam, Hamburger Kunsthalle and Moderna Museet in Stockholm. Image : Resting man, From the series The Mechanism, 2017 © Mårten Lange, https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1601554316136-VBWVIB7MBABCG7TTLS7O/A+Stone+from+the+Moon_Ecumenopolis_Elian+Somers.jpg The 2021 Runner-Ups Elian Somers (Sprang-Capelle, NL, 1975) lives and works in Rotterdam. With a background in visual arts and architecture, Elian Somers investigates the urban and utopian landscape and the ways its ideological foundations and histories are manifested and interpreted. In recent years she has been working on projects as A Stone from the Moon (2015-ongoing), One and Another State of Yellow (2013-2017), Border Theories (2009-2013), California City (2010- 2012) and Droom als er ooit een was / A Dream if Ever There Was One (2006-2008). In these long-term, research-based projects she is in search of constructed realities and truths, hidden and virtual histories, and the utopian experiment. Multiple realities, histories and truths intermingle in her works. Elian Somers’ works have been shown at various exhibitions, amongst others Border Theories (solo) at Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, NL (2013), Utopian Dreams at TENT, Rotterdam, NL (2016), Learning from… Rotterdam at Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany, DE (2012), Behind the Billboard, MK Galerie, Berlin (DE) and Concrete Dreams (duo), Foam, Amsterdam, NL (2010). The works have regularly been published as artist books, in art, photography and architecture magazines, and at online platforms. In 2017 the artist book One and Another State of Yellow (FW: Books) was launched and in 2013 the book Border Theories (FW: Books) was published. Image : A Stone from the Moon – Ecumenopolis, From the project A Stone from the Moon, 2015-2021 © Elian Somers https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1601554127860-YKD8SBOYKI73VPFAIQMO/Moshammer_Moshammer_Oma-Opa__A2A1875.jpg The 2021 Runner-Ups Stefanie Moshammer is a Visual Artist, born in Vienna in 1988. After graduating from Fashion School Vienna, she received a Bachelor of Arts in Graphic Design & Photography at University of Art and Design in Austria and she attended the BA in Advanced Visual Storytelling at the Danish School of Media and Journalism. In 2015 Stefanie Moshammer published her first book “Vegas and She” (by Fotohof edition), followed by “Land of Black Milk” (by Skinnerboox, 2017), and “Not just your face honey” (by Spector Books, 2018). Stefanie has been selected as a Foam Talent in 2016. 2017 she has been nominated for the ING Unseen Talent Award and she won the C/O Berlin Talent Award. This resulted in a nomination for the Foam Paul Huf Award in 2018 and in receiving the Outstanding Artist Award from the Federal Chancellery of Austria. Stefanie Moshammer’s work has been published in various print & online publications, including i-D, Wallpaper Magazine, Zeit Magazin, M Le magazine du Monde, New York Magazine, VICE, Purple Fashion Magazine, DAZED & many more. Her work has been exhibited throughout galleries, museums and fairs around Europe, the US and China, among others at: Foam Amsterdam, C/O Berlin, Museum of Applied Arts Vienna, Photo London, Red Hook Labs, Fotografiska New York, WestLicht Museum. Stefanie Moshammer’s work springs from her direct experience of the world and explores the relationship of straightforward observation and the poetry of personal impressions. Image : Grandfather looking, From the series Grandmother said it’s okay, 2017 © Stefanie Moshammer https://lucyartresidency.com/2022-air daily 0.75 2022-05-25 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1653403620108-GP2P3WRFDJ0PCVZKI616/Assaf-Hinden-Color.jpg 2022 AiR https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1653402349980-J5GCQZ18AXW1P440MZPH/HEADER_LPS_IE_stills-4.jpg 2022 AiR https://lucyartresidency.com/application-2022 daily 0.75 2022-02-24 https://lucyartresidency.com/2022-jury daily 0.75 2022-02-25 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645735697859-IJCQOK6RBF9S38K49L6A/Viktoria_Fassianou_Portrait.jpg The 2022Jury - Make it stand out Viktoria Fassianou is the Director of the Alekos Fassianos Estate - Museum and also Iris Gallery, an art gallery based in Athens. She co-lead for three years the International Young Patrons program of the Museum of Cycladic Art, she co-founded the Tryfon Art Residency in Molyvos, Mytilene and worked at the international NGO Endeavor Greece with the aim of developing small and medium enterprises in Greece. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645735585232-IQUFC7B0QKEBEEJY68B3/Evita-Tsokanta-Profile.jpg The 2022Jury Evita Tsokanta works as a writer, educator and an independent exhibition-maker based in Athens. She received a BA with a double major in Art History and English from Rutgers University, U.S.A. and an MA on Cultural and Creative Industries from King’s College London. In 2019 she completed a writing residency in Leipzig supported by the Goethe Institute. She has edited (Rembetiko, 2022) and contributed to several exhibition catalogues (including Songs for Sabotage, New Museum Triennial, 2018) and journals (including South, as a State of Mind, Enterprise Projects Journal, Artworks Fellows Medium, Valencia Polytechnic School Publication). She has been part of research programs (Post-Documenta by Athens School of Fine Arts and Academy of Fine Arts, Leipzig, and RESHAPE-Onassis AIR Fair Governance Models) and received a Greek Ministry of Culture research grant under the title, Islandness. She has lectured on curatorial practices and contemporary Greek art at the Columbia University Athens Summer Curatorial Program, Arcadia University, Athens, and Athens College Adult Learning. Previously she has curated solo and group exhibitions such as Keep on Keeping on: a visual meta-collection at the American College of Greece Gallery, Reverb: New Art from Greece at Boston Museum of Fine Arts School, U.S.A. and the 4th Athens Biennial, AGORA, among others. Since 2020 she has been working for Kickstarter Arts. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645735681347-037QC15G7BDEXI0TV9EW/Juror_D-Antonio.jpg The 2022Jury - Make it stand out Sveva D’Antonio graduated in History of Art at Suor Orsola Benincasa, Naples in 2013 with a thesis on how certain type of movies can be transformed in artworks and enter in the museum space. Sveva is former partner of Laveronica gallery with whom she worked with for the last six years. Sveva and her husband Francesco Taurisano have developed since 10 years a contemporary art collection focused on emergent artists. Namely CollezioneTaurisano tries to foster an active support of young artists putting in place various initiatives throughout the year. This year Sveva graduated from SDA Bocconi with an executive master in Luxury Management with a final project on Managing Circularity in Fashion&Luxury. She continued during this last year her curatorial projects. Two highlights of 2021-2022 have been: "Lucrezia, omaggio per un'antieroina", Palazzo Sacrati, Reggio Emilia where she coordinates international artists; handle production of new work; organize workshop with artist Marinella Senatore involving the local community of artists; fundraise for the show receiving support from European firm "Collective Nostalgia", Vin Vin Gallery, Wien, developing an artistic research with four international women artists (Victoria Nunley, Zandile Tshabalala, Nicole Terenzini and Cow Mash); overseeing the production of new work and shipment logistic; gathering international collectors for the acquisition of the art works. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645735623149-455WDPJT1VOIOFM1FJPJ/Olympia-Tzortzi-bw.jpg The 2022Jury Olympia Tzortzi is an art historian and freelance curator who lives and works between Athens, Berlin and Vienna. She earned a Bachelor’s and Master’s degree in Art History and Modern Greek Studies at the University of Vienna and studied Media Art Histories at the Danube University Krems and Exhibition Theory and Practice at the University of Applied Arts in Vienna. From 2013 to 2016 she worked at Galerie Kerstin Engholm in Vienna, 2016/2017 she worked as an associate registrar for the Kiki Kogelnik Foundation between New York and Vienna, 2018/2019 she worked as Gallery Manager at Galerie Georg Kargl Fine Arts in Vienna and in 2020/2021 she had the same position at the DITTRICH & SCHLECHTRIEM gallery in Berlin. In the last few years she has been involved in the organization of several projects and has curated numerous exhibitions, among them an exhibition at Belverede 21. She recently founded the Callirrhoë exhibition space in Athens. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645735561463-J39WNFM8QSQWAEPI72IO/Juror-Emilia-Genuardi.jpg The 2022Jury Emilia Genuardi is a specialist in contemporary photography, a curator, an art director and a consultant for auction houses. After studying Art History and Architecture at the University of Manchester, she moved to Paris and worked as a photographer's agent for renowned agencies such as Métis and Rapho. For 10 years, she travelled the world and produced various series of images, books and exhibitions. In 2012, she undertook the artistic direction of the Galerie Madé, in Paris, bringing together established artists and avant-garde creations. In 2017, driven by the desire to create a fair with a unique format, she founded the a ppr oc he boutique art fair, dedicated to artists who experiment the photographic medium. In 2018, Emilia created the a ccr oc he company, which since then has produced a ppr oc he as well as other cultural content. Since 2021, she has been a member of the Board of Directors of the Swiss Life Foundation. Portrait ©Benoit Pailley https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645735660627-VYJ7GAOHEZB48ZDMKR2K/Sarah-Profile-TM.jpg The 2022Jury Sarah Allen is Head of Programme at South London Gallery. She was previously a curator at Tate Modern, London where she curated or co-curated Zanele Muholi (2020); Sophie Taeuber-Arp (2021); Nan Goldin (2019); The Shape of Light: 100 Years of Photography and Abstract Art (2018), as well as displays from the permanent collection including Mark Ruwedel (2018); Irving Penn (2019) and David Goldblatt (2019). Outside her role at South London Gallery, she sits on the Board of Directors of Belfast Photography Festival. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645735447164-P3E0NMQMHBEDLUCB62UF/Andreas_Melas_Portrait.jpg The 2022Jury Andreas Melas is an art advisor and director of Melas / Martinos Gallery in Athens. He is a founding member of Radio Athènes institute for the advancement of contemporary visual culture. Recent exhibitions include ‘Karl Wirsum: Drawing it On, 1965 to the present’ (2018), ‘Trade Syllables’ (2019), ‘Fate of a Cell’ (2020) and ‘Lives of an Object’ (2021). In the summer of 2021 he curated ‘Antistructure’ an exhibition which took place at DESTE Foundation, (Nea Ionia, Athens). He represents the ‘Bia Davou / Pantelis Xagoraris Estate’ along with Helena Papadopoulos (Radio Athènes). https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1645736122741-ZB0M4MHH59HMNZ1NC2KC/PORTRAIT_VENTOURAKIS_2020-Nikolas-Ventourakis.jpg The 2022Jury Nikolas Ventourakis is an artist living and working between Athens and London and is the first artistic director of the Lucy Art Residency. He is a non-voting member of the Jury. His practice situates in the threshold between art and document, in an attempt to interrogate the status of the photographic image. Ventourakis completed an MA in Fine Art (Photography) with Merit at Central Saint Martins School of Arts (2013) and is the recipient of the Deutsche Bank Award in Photography (2013). He was selected for Future Map (2013), Catlin Guide (2014) and Fresh Faced Wild Eyed (2014) in the Photographers Gallery as one of the top graduating artists in the UK. In 2015 he was a visiting artist at CalArts with a FULBRIGHT Artist Fellowship and is a fellow in New Museum’s IDEAS CITY. He was shortlisted for the MAC International and the Bar-Tur Award. Recently he has exhibited in FORMAT Festival, Derby; the NRW Forum, Düsseldorf, the Mediterranean Biennale of Young Artists 18, the parallel program of the Istanbul Biennale , Hors Pistes 14 at Centre Pompidou, and The Same River Twice, at the Benaki Museum. He is the co-curator of the project “A Hollow Place” in Athens. Most recently he was an ARTWORKS Fellow and an Onassis AiR. https://lucyartresidency.com/2021-air daily 0.75 2022-12-19 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1653404121549-YGRYCLWRXYC883H384XM/Assaf-Hinden-Color.jpg 2021 AiR https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1601552853077-EYJ6NQ4MJ6NGV2EHNPXT/Grid+1907%2C+2018.jpg 2021 AiR https://lucyartresidency.com/the-2022-runnerups daily 0.75 2022-05-25 https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1653482077918-VRR2W4X80HOCNEW0I22P/Alinka_Nicephora-28.jpg The 2022 Runner-Ups - Make it stand out Alinka Echeverría (b. 1981, Mexico City) is a Mexican-British artist working in multiple media. She holds a Master’s degree in Social Anthropology and development from the University of Edinburgh (2004) and a postgraduate degree in Photography from the International Center for Photography (2008). Her research-based work brings a feminist and counter-colonial approach to questions of visual representation. In 2017 she presented a three part series for the BBC called The Art That Made Mexico. Her work has been widely exhibited, including solo exhibitions at The Montreal Museum of Fine Arts, The Preus Museum, Norway’s National Museum of Photography, the Johannesburg Art Gallery, Les Rencontres de la Photographie Arles, and The California Museum of Photography at UCR. In 2020, she won the MAST Foundation Prize for her work Apparent Femininity. In 2017, she was a finalist for the Prix Elysée and was selected for FOAM Museum's Talent award for Nicephora, a research project about the representation of women that she started during BMW's Art & Culture Residency at the Nicéphore Niépce Museum in 2015. In 2012, she was voted International Photographer of the Year by the Lucie Awards for Becoming South Sudan, and in 2011 was awarded the HSBC Prize for Photography for The Road to Tepeyac. Her work is part of several public and institutional collections, including The Montreal Museum of Fine Arts, The Los Angeles County Museum of Art (LACMA), Musée Nicéphore Niépce, BMW Art & Culture, and The Museum of Fine Arts, Houston and the Swiss Foundation for Photography. Image : 'Fieldnotes for Nicephora' 2015-2020. Courtesy of the Artist. https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1653402774655-NY9H5E2V0USLWZXJGDC3/Agnieszka_Mastalerz_NMSNNG_video_still_4_2022_pigment_ink_print_Hahnemuehle_Bamboo_290gr._28%2C12x50cm_courtesy_of_the_artist_and_eastcontemporary.jpg The 2022 Runner-Ups Agnieszka Mastalerz - female visual artist, born 1991 and based in Warsaw, Poland. Graduate of the Studio of Spatial Activities by Mirosław Bałka at the Academy of Fine Arts in Warsaw (2018), student of Candice Breitz and Eli Cortiñas at Hochschule für Bildende Künste in Braunschweig (DAAD scholarship for 2019/20), guest by Adam Broomberg and Oliver Chanarin at the HFBK in Hamburg (2017/18). Her main focus is mechanisms of control and processes influencing and exploiting an individual. She uses her poetic visual language to analyse restrictive rules established within intimate relationships, communities, states, or companies, and towards the natural environment. She exhibited in eastcontemporary gallery in Milan (2022), Fabbri Schenker Projects in London, MAXXI - National Museum of 21st Century Art in Rome (2021), Wschód Gallery in Warsaw (2020), Palazzo Strozzi in Florence, Starak Family Foundation in Warsaw (2019), Deichtorhallen in Hamburg, Fondation Hippocrène in Paris (2018), Museum of Modern Art in Warsaw (2017 - laureate of the Hestia Artistic Journey Competition). She was a resident of Hospitalfield in Scotland (2022), Muzeum Susch in Switzerland and Artist Development Programme in EIB Institute in Luxembourg (2021), and AiR Futura, Prague (2020, Visegrad Fund). Works of her are in Fondazione in Between Art Film by Beatrice Bulgari, Ergo Hestia Group and European Investment Bank collections, as well as in private ones. Image: NMSNNG, video still, IV, 2022, pigment ink print Hahnemühle Bamboo 290gr., 28,12x50cm courtesy of the artist and eastcontemporary , Courtesy of the Artist https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1653402938077-HN1R147NG5Y5IKX1SJMN/koliopoulou_male-preserve-detail_2021-copy.jpg The 2022 Runner-Ups Pennie Key (Penelope Koliopoulou) is an artist born in Athens. She lived in London during the 2010s and received her MFA in Fine Arts from Goldsmiths in 2016. She was a Rijksakademie resident for the years 2020-2022 and the recipient of the Stavros Niarchos foundation award ARTWORKS 2021. Other residencies include Saari in Finland and Can Serrat in Spain. She was part of the Amsterdam Museum Night 2021, and has shown work in the U.K., Belgium and Mexico amongst others. Her biggest accomplishment to date is leading well-attended HIIT workouts for artists, 2 years in a row (and still going strong). Image: Junior and Rah, from the installation Male Preserve, 2021, 118x168 cm, inkjet A3 print, tape, Courtesy of the Artist https://images.squarespace-cdn.com/content/v1/58a0756c893fc0b6d3d67366/1653403072934-LUWKNXYGLSTTW7YY2I3J/A+Stone+from+the+Moon_Ecumenopolis_Elian+Somers.jpg The 2022 Runner-Ups Alberto Sinigaglia (born 1984, Italy) With a background in visual arts and architecture, Alberto work investigates the iconographies rooted in collective memory and the relationship between technology and image building inventories of fragments that question our visual awareness. Sinigaglia was awarded with several prize such as Fondazione Bevilacqua La Masa (2014) Talent Prize (2017) Fondazione Fabbri (2017). He published two books: Big Sky Hunting (Edition du Lic, 2014) and Cables ( Skinnerboox 2022). His work has been exhibited and published nationally and internationally. Since 2015 he is among the editors of Genda Magazine. He works and lives between Venice and Moscow. Image : Vanishing Sublime, 2021 , Courtesy of the Artist https://lucyartresidency.com/faq-2022-2 daily 0.75 2023-09-04 https://lucyartresidency.com/readme-pacific daily 0.75 2025-05-08 https://images.squarespace-cdn.com/content/v1/52e968b5e4b04d2aa2a3bba3/1402598338400-QOGDYV5D9CVV4PMKIQ9G/9226176954_72f0596f27_k.jpg Readme